The Wax Conspiracy

Stage Antics and Theatrics

It’s a Wonderful Life: A Live Radio Play

The classic tale of frustration leading into suicide and rethinking life choices to bring another year to a close. Once more another look over the bridge and wither come the thoughts of absence.

Around the World in 80 Days adapted by Mark Brown

Travel is so much about being mishandled and watching your keeps roll off the conveyor belt, ready to throw your left shoe at someone trying to run off with your belongings. For those without an itinerary that means keeping at least one non-glass eye on the gate.

A Nightmare on Backstreet: A Boy Band Musical Parody

Freddy Krueger lines up with one of the more haunting sounds of the pop-sided 90s in the Ballad of the Backstreet Boys, laying waste with suggested blood and theatrical smoke. Bodies are dropping not to the beat of a drum but the sound of snoozing just another few minutes.

The Importance of Being Earnest by Oscar Wilde

Beyond the gap-toothed seating hangs a mirror on the fourth wall (itself never broken) waiting for the grooming sessions. A man will paw at his facial hair a shave or two different to the man on the playbill cover. We are in this kind of deceit.

And the Tide Shall Cover the Earth by Norma Cole

Rookies playing marbles couch the glass eye in the crook of their index finger and flick out with the thumb. Then comes along a shark who pivots on the thumb, ratcheting back the bonker on the tip of their finger and letting fly, snap and crack goes the dirt, dreams shattering into the dusty wind.

The Great Gatsby

It's an odd thing to see opening credits play out in real life. As strange as you would think seeing them for a stage production. And so we sit as the actors traipse through, talking in silence and raising glasses and personas. The only thing missing, their names superimposed across the lip of the stage.

Last Train to Nibroc by Arlene Hutton

Word of mouth happens after the fact. The mystery then is trying to remember how you found yourself standing at the box office, buying tickets for a play where the venue itself does not make any mention of it beyond the lobby.

Marvel Universe Live!

There is so much cheese here your back passage is going to be plugged up for the month. It's three main chunks of the Marvel Universe banding together to create a show that has another Loki juicy centre. Corny too, even though you didn't have any for lunch.

Doctor! WHO is the Murderer?!?

There's hardly any food or furniture left when The Master devours the dining room and fumes with comic frustration when it takes a while for the audience to cotton on to his name. Clear sign half the audience are fresh to Gallifrey.

The Miracle Worker

Disembodied children's voices are creepy in their own right. When the voices talk back it's that step up into the attic where ghosts will sit during the day playing their pinochle and shell games. What a way to introduce someone.

50 Shades! The Musical

Balls-to-the-chin deep in its free and fluid use of language, 50 Shades! does not shirk its punches against the source material. It's raw and unforgiving, tearing away at the scant flesh of the books, a trilogy of books mind, and bites deep, making full use of parody's teeth.

Chicago: The Musical

Snappiest way to jump into the era is via the atmosphere of aural cues. And it's done as soon as the first brass instrument trills from the stage. Not sure if it's the affectation or really the dialogue, but when everyone's speaking in a 1920s twang the mood is set.

West Side Story

Nothing says theatre better than men jumping into each other's arms gracefully while landing soft punches. The art of fighting on stage is a craft of ballet, dancing to a song you hear in your head with jabs of sharp violins and the underscore of the orchestra pit. Throw in lyrics and you've got yourself a musical.
The Wax Conspiracy

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